Behold this beautiful drawing I have made.
Here we have Doroga, with his arm in a sling, versus Remy, with abs and a swole arm.
The pair of red lines are the lines on which Remy could attack at full extension and hit a vital area. Any farther outwards and he will not hit Doroga in a vital area.
The pair of orange lines are the same for Doroga.
The orange and red arcs between their respective lines are an arc showing the relative distance gained or lost by raising the blade from the shoulder, with arm and blade fully-extended. The arcs assume that Remy and Doroga have the same arm-plus-blade length, which will be important later.
The dark blue line is the shortest line for Doroga to hit Remy. Similarly, the light blue line is the shortest line for Remy to hit Doroga.
If one is approaching, it is important to cover those lines first, because those will be the lines that your opponent will plan to attack first from out of measure. Anything deeper requires more time, and thus will give you more time to plan a defense.
As such, it is important to cover those lines first. One way to do this is to attack through the line, in such a way that at the point of contact with your opponent’s body, your blade will still be crossing the line of shortest ingress.
The rest of this post assumes that you accept that the above is true. Or at least, true enough.
For Doroga, this means attacking at just about any target below the teal line. For Remy, this means attacking at just about any target above the teal line.
This presents several difficulties for Remy. Doroga has a lot less head than he has body. This is simple human anatomy - the area above the shoulder is smaller than the area below the shoulder.
Doroga is fortunately attacking Remy’s body. This means he has much more valid target area to hit than Remy does, both in terms of width and length. He can afford to be sloppier.
This partly explains a trend that I have seen. People who practice Destreza and other styles which involve standing straight are usually taller humans. Given that most “true” attacks in Destreza involve pushing through your opponent’s sword to attack their body, it makes sense that taller people would have more success with the style, given the above.
I have also noticed that, with some exceptions, most people who practice the Fabris’s fencing style are shorter humans. Given that the Fabris stance leans forward, refusing the lower body, this makes sense.
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